A biography paper of theodore fats navarro

Essay, Research Paper: Fats By Navarro

Barry Ulanov had organised a battle of the bands, split along traditional versus modernist lines, for a radio shoot-out in September Fats played his book and you would hardly know that Diz had left the band. His musical training began early with piano lessons at age six, but he did not start taking music seriously until he took up the trumpet at age thirteen.

Such stars an J. You know there are those kinds of guys who just play a lot of notes, some good, some bad. Like this term paper? Lesser known artists could gain instant credibility for their recording dates by including him. The small combo format was ideal for Navarro. Unfortunately, the original acetates have never been found, which means the re-mastered versions now available also have to preserve the fade in the middle, made to accommodate the change of side.

He was now twenty two years old and already a trumpet virtuoso. It needs to be explained right. Prepared by Stuart A. He also played in other territory bands, sometimes doubling on tenor sax. He was survived by his wife, Rena nee Clarkdaughter, Lindagrandson Amilcar Navarro, and thousands of jazz lovers around the world.

Fats stayed with Russell for about two years and became its feature trumpet soloist. What they call bebop is really a series of chord progressions.

Fats Navarro life and biography

Our Creator chooses great artists. Due to the economics of the big band and the change from a mainly dancing to a listening music, big band jazz gave way to the small jazz combo format consisting usually of a rhythm section of piano, bass and drums, and from one to three "front line" feature soloists.

How would you rate this essay? His ideas and feelings were the same and there was just as much swing. He never found himself, really. He was known as an excellent sponge diver who could hold his breath under water for several minutes.

Fats Navarro

Although he spiced up his work with a sprinkling of accents borrowed from the examples of Charlie Parker and Dizzy Gillespie, in general he takes something of a conservative approach to rhythmic accentuation, flowing easily and smoothly along the beat at any tempo.

At the beginning of the next set Fats reached the bursting point. Born Theodore Navarro of mixed black, Chinese and Cuban descent in Key West, Florida, on 24 Septemberhe played both piano and tenor saxophone as a youth but by the age of seventeen he was already touring in dance bands as a trumpeter.

It marked the beginning of what was to be the most fruitful of his musical partnerships, with pianist and arranger Tadd Dameron.

Gene Ramey on bass and Denzil Best on drums completed the quintet which cut four tunes in the session. It re-united Fats with his old section-mate from the Andy Kirk band, Howard McGhee, a fine bop trumpeter from Oklahoma who cut his teeth in the big bands of Charlie Barnet and Kirk, then gigged with Coleman Hawkins before forming his own small band in Los Angeles in Fats played his book and you would hardly know that Diz had left the band.

They seemed to be in sympathy with one another. Among the attendees was Charlie Parker. He was able to give full expression to his ideas and soon developed a reputation as a major force on modern trumpet rivaling that of Dizzy Gillespie.

The album is filled out with three poorly recorded cuts from the Dameron band, with the trumpeter marked absent.

A biography paper of theodore fats navarro

Unfortunately, there is very little recorded evidence of his work with the Kirk band due mainly to a musicians strike against the record companies.

The earliest of his post-Eckstine small-group sessions came under the leadership of drummer Kenny Clarke, in a band which also featured a second trumpeter, the very youthful Kinny Dorham later known as Kenny.

He missed, thank God, but the strength in the blow was enough to buckle the horn against the piano; Fats had to borrow a trumpet to play the set.Theodore "Fats" Navarro (September 24, – July 7, was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the s.

He had a strong stylistic influence on many other players, including Clifford Brown Life. Theodore "Fats" Navarro was an American jazz trumpet player.

He was a pioneer of the bebop style of jazz improvisation in the s. He had a strong stylistic influence on many other players, most notably Clifford Brown.

Fats Navarro : biography

Fats Navarro. African-American jazz trumpet virtuoso Fats Navarro was one of the founders of bebop. He struggled with a heroin addiction and tuberculosis. Theodore “Fats” Navarro (trumpet) was born on September 24, in Key West, Florida and passed away on July 6, in NYC, New York at the age of Navarro was born in Key West, Florida, to Cuban-Black-Chinese parentage.

Theodore "Fats" Navarro (September 24, – July 7, ) was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the s. He was a pioneer of the bebop style of jazz improvisation in the s. Theodore "Fats" Navarro died on July 6, at Metropolitan Hospital on Welfare Island, New York (now Roosevelt Island).

The funeral took place in Harlem of July 13th. Among the attendees was Charlie Parker.

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A biography paper of theodore fats navarro
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